Gallery

Created by artists of varying backgrounds, the fifty-plus prints included in Glimpses of the Past are stylistically diverse and exemplify movements such as Modernism, Regionalism, Cubist-inspired abstraction, and Academic Realism. All prints come from a single private collection.

1. Ralph Pearson, Church at Santa Anna Pueblo, 1924. Etching, 6 x 10 1/2 inches.
2. Charles M. Capps, Mission at Trampas, 1949. Etching and aquatint, 8 1/2 x 14 inches.
3. John Wesley Cotton, Adobe Gateway, 1925. Etching with color aquatint, 10 3/4 x 14 inches.
4. Coy Avon Seward, Toadstool Rock, 1925. Lithograph, 13 x 13 inches.
5. Coy Avon Seward, Grasshopper Peak, 1931. Lithograph, 12 x 16 inches.
6. Peter Moran, Down the Arroya to Santa Fe, ca. 1880. Hand colored photogravure, 6 x 12 1/2 inches.
7. Campbell Grant, Untitled (Taos Pueblo), 1930. Woodblock print, 6 1/16 x 12 inches.
8. Peter Moran, A Corner in Spanish Taos, 1881. Etching on silk, 5 x 6 7/8 inches.
9. Roi Partridge, In Santa Fe (Architectural Study), 1926. Etching, 8 7/8 x 7 7/8 inches.
10. Peter Moran, The Burro Train, New Mexico, 1880. Etching with monotype, 6 3/4 x 9 1/2 inches.
11. Peter Moran, On the Road to Santa Fe, 1884. Etching, 11 3/4 x 17 3/4 inches.
12. Frederico Castellon, Taos Tryst, ca. 1942. Etching, 7 3/4 x 11 7/8 inches.
13. Elna Hogin, Sunday Morning, Taos, 1941. Lithograph, 8 x 10 3/4 inches.
14. Coy Avon Seward, Sunshine and Adobe, 1927. Etching, 7 1/4 x 9 inches.
15. Oscar Edmund Berninghaus, Patient Ponies, ca. 1930’s. Etching, 5 5/8 x 6 7/8 inches.
16. Norma Bassett Hall, Navajo Land, ca. 1940’s. Woodblock, 9 1/4 x 14 inches.
17. Norma Bassett Hall, Drying Chile, ca. 1940’s. Serigraph, 8 x 10 inches.
18. Dana Bartlett, Hopi Indian, ca. 1920’s. Hand-colored woodblock print, 13 x 10 inches.
19. Henrietta Dean Lang, #2 Buffalo Dance – Pueblo Indians, New Mexico, ca. 1920’s. White line woodcut, 18 x 14 inches.
20. Coy Avon Seward, On the Road to the Pueblo, 1929. Linocut, 8 3/4 x 10 1/4 inches.
21. B. Pat Pattison, Ol’ Boy, ca. 1930’s. Linocut, 14 x 10 3/8 inches.
22. Albert H. Marvin, Jr., Junk Dealer, Taos, ca. 1935-1941. Lithograph, 9 3/4 x 12 inches.
23. B. Pat Pattison, Elk Foot, ca. 1930’s. Linocut, 13 3/4 x 10 1/2 inches.
24. Howard Cook, Morning Smokes, 1927. Wood engraving, 8 x 8 inches.
25. Orlin G. Baker, Chimayo Valley, ca. 1940’s. Linocut, 10 5/8 x 8 3/4 inches.
26. Nils Hogner, Untitled (Julian Martinez), ca. 1920’s. Hand-colored woodblock, 6 5/8 x 6 inches.
27. Thomas Moran, Pueblo of San Juan, New Mexico, 1881. Etching, 8 x 11 3/4 inches.
28. Ralph Pearson, Duran Chapel, 1919. Etching, 3 1/4 x 5 1/4 inches.
29. Herman Ilfeld Bacharach, Kiva, Taos NM, ca. 1930’s. Woodblock, 5 1/4 x 3 3/4 inches.
30. Dorothy Brenholts Stauffer King Hay, Taos Pueblo, ca. 1930’s. Hand-colored etching, 4 x 5 inches.
31. Stella MacLean, Juanita, ca. 1930. Etching, 5 1/2 x 3 1/2 inches.
32. Ralph Pearson, Taos Pueblo, 1920. Etching, 5 x 9 1/2 inches.
33. Blanche McVeigh, Indian Women, ca. 1940’s. Etching and color aquatint, 3 1/4 x 3 inches.
34. Roi Partridge, Zuni, 1927. Etching, 3 3/4 x 7 inches.
35. Blanche McVeigh, Arroyo Seco, ca. 1940’s. Color aquatint, 10 x 12 1/2 inches.
36. Todros Geller, Cordova, ca. 1940. Woodblock, 5 x 10 inches.
37. Fred Geary, San Miguel, Santa Fe, ca. 1930’s. Linocut, 7 x 6 7/8 inches.
38. Todros Geller, Taos Ranchos, ca. 1940. Woodblock, 4 x 6 inches.
39. John Wesley Cotton, El Sanctuary, ca. 1925. Etching with color aquatint, 17 3/4 x 11 1/2 inches.
40. Howard Cook, Tesuque Pueblo, 1926. Woodcut, 11 x 9 1/8 inches.
41. Frederick Monhoff, Pentiente Ceremony, Nambe, New Mexico, ca. 1920’s. Etching, 5 x 6 inches.
42. Leon Rene Pescheret, Rancheros de Taos, ca. 1930’s. Color and soft ground etching and aquatint, 9 3/4 x 11 3/4 inches.
43. Harold Joe Waldrum, Las Sombras de los Machones de Ranchos de Taos, 1994. Etching and aquatint, 3 7/8 x 3 7/8 inches.
44. Andrew Dasburg, Taos Pueblo I, 1925. Woodblock, 6 x 4 inches.
45. Emil Armin, American Indian Dance, ca. 1930’s. Linocut print, 5 1/4 x 7 inches.
46. Trude Hanscom, Soledad, ca. 1920’s. Aquatint, 4 x 4 7/8 inches.
47. Dorothy Brenholts Stauffer King Hay, St. Francis Cathedral, ca. 1930’s. Etching, 4 x 6 inches.
48. Dorothy Brenholts Stauffer King Hay, Santuario, ca. 1930’s. Etching, 4 1/8 x 3 1/16 inches.
49. Fred Geary, El Tovar Hotel Luggage Tag. Photo-offset lithograph, 4 1/4 x 3 1/2 inches.
50. Daniel MacMorris, Taos, N.M., 1923. Etching and drypoint, 4 x 5 inches.
51. Rosella “Zella” de Milhau, Untitled (Pueblo Scene), ca. 1925. Copper etching plate, 7 1/2 x 11 1/2 inches.
52. Restrike etching of Rosella de Milhau plate, 2021, by Michael Vigil (Veloy Vigil Fine Arts). 7 1/2 x 11 1/2 inches.